The show consisted of two plays, starting with an original story THE PHANTOM LIMB, set in a New Orleans 'house of ill repute' just after the Civil War. Madame du Charmes runs a house that bears no ill will against either side of the war. The war is now over, and the country (or at least her house) is united under one flag--the flag of money. She's an
So then during intermission I got a chance to be guillotined. That was a lot of fun. Officially, my capital crime was "being too fluffy":
I am proud that I was the only one that night with the guts to go into the guillotine facing up so that I could see the blade. But I completely wussed out and closed my eyes when the blade dropped. Gotta try that again. Still it was lotsa fun.
And then the second show was an old Grand Guignol classic from 1922, based on a novel by Octave Mirbeau which was once described as “the most sickening work of art of the nineteenth century” (woo hoo!) It's an example of "Orientalism", an artistic movement in 1920's Paris that depicted the far East as a savage, ruthless land of endless depravity (I could go on about how in my modern, enlightened view I abhor the racism and enjoyed the show more as an artifact of European attitudes of the time than for the story itself. But that would sound like I'm so in love with the smell of my own farts that I've stuck my head up my ass). Instead, I'll just tell you it's a story of a mysterious, dangerous woman, the man she seduces, the Prince Li-Tong he (sorta accidentally) kills, and a garden where the blood of tortured prisoners feeds the most beautiful flowers. Oh yeah, and there's rebellion, politics, intrigue, and death.
And that is that. Shocktoberfest is officially on, and officially awesome. Shocktoberfest plays every Thursday and Friday through Nov. 20th. Oh yeah, and Pearls Over Shanghai has been so popular it plays every Saturday and Sunday through the end of the year!